{"id":1370,"date":"2023-09-25T18:05:49","date_gmt":"2023-09-25T16:05:49","guid":{"rendered":"https:\/\/melodyledwon.com\/?page_id=1370"},"modified":"2025-12-05T16:54:16","modified_gmt":"2025-12-05T15:54:16","slug":"uebersetzung","status":"publish","type":"page","link":"https:\/\/melodyledwon.com\/en\/uebersetzung\/","title":{"rendered":"Translating"},"content":{"rendered":"\t\t
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\n\t\t\t\t\"A translation dilemma is among my earliest memories. I was five [...]. Revisiting that dilemma now in 2021, it occurs to me that it has as much to do with the act of writing as it does with translation. In other words, as soon as I learned how to write in English [...] I simultaneously intuited the central and complex role that translation was to play.\u201d \t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\tJhumpa Lahiri, Translating Myself and Others<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Beach Penguins<\/a><\/h3>

World Literature Today (2025). Beach Penguins, an excerpt from Simon\u00e9 Goldschmidt-Lechner (SGL) Messer, Zungen is a \"geographic deconstruction and reimagining about resisting colonial classification and the new that exists as a result of overcoming violence, even if the rest of the world may deny it.\" (SGL)\n\n\n\n\nImage from \"Adonis\" illustrated\nby Xiyu Tomorrow\n\n<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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re*visions<\/a><\/h3>

Kunsthalle Karlsruhe (2025), \n\nMoses Yoofee Vester. \u201cBreak me\": Intervention of Hans Thoma: Head Study of a Young Black Man, about 1880, \n\nLeyla Ercan. \u201cIntervention of Joseph Vernet: Noble Turks Watching Fishing, 1755\u201d, \n\nPatricia Vester. \u201cIntervention of Wenceslaus Hollar: Head of a Young Black Boy in Profile to the Right, 1645\u201d,\n\nJean Dubuffet. \u201cArab with Footprints\u201d\n<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Die Harlem Renaissance, Reconstruction, Maria W. Stewart, Denmark Vessy, Der Fugitive Slave Act | 400 Seelen <\/h4>

btb (2024) <\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\"Eine<\/a><\/figure>

Eine Autobiographie<\/a><\/h4>

Aki Verlag, 2023<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Seen: Die Augen, der Blick und Julia Phillips\u2019 skulpturale Politik des Betrachtens | Energy Exchange<\/a><\/h4>

Mousse Magazine, 2023<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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TheMuseumsLab Tools <\/a><\/h4>

Hochschule f\u00fcr Technik und Wirtschaft Berlin, 2023<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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HALLO, UND TSCH\u00dcSS, KOKO, COME IN by Koleka Putuma<\/a><\/h4>

Theater der Welt, 2023<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Race Cars \u2013 Ein unfaires Rennen: Gemeinsam \u00fcber wei\u00dfe Privilegien und Rassismus sprechen<\/a><\/h4>

Penguin Random House, 2023\n\n\n<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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An Expert Opinion on Diversifying the Cultural Sector <\/a><\/h4>

Diversity Arts Culture, 2021<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201eScream my name like a protest\u201d: Zeitgen\u00f6ssische R&B-Musik als \u201aSorrow Songs\u2018 im Zeitalter von #BlackLivesMatter | The Comet -Afrofuturism 2.0. <\/a><\/h4>

Orlanda Verlag, 2020<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ein Schwarzes feministisches Statement (Combahee River Collective) in Schwarzer Feminismus: Grundlagentexte<\/a><\/h4>

Unrast Verlag, 2019<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Multidirectional Memory and Verwobende Geschichte(n) [Entangled (Hi)stories]: A Conversation Between Iman Attia and Michael Rothberg<\/a><\/h4>

TRANSIT, 2019<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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F \/ M \/ Diverse \/ Blank: The Sex Marker<\/a><\/h4>

FLMH - Labor f\u00fcr Politik und Kommunikation GmbH, 2019<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Iman Attia \/ Michael Rothberg Multidirectional memory und Verwobene Geschichte(n) Ein Gedankenaustausch | Neue Rundschau<\/h4>

S. Fischer Verlage, 2018<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Unterdr\u00fcckung verstehen: Strategien in der Auseinandersetzung mit Macht und Privilegien; Teil Zwei: Skills f\u00fcr Targets; Teil 3: Skills f\u00fcr Agents<\/a><\/h4>

Antidiskriminierungsverband Deutschland, advd, 2019<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Debt as an Exercise of Rule | Republik Repair <\/a><\/h4>

Ballhaus Naunynstra\u00dfe, 2017<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00dcbersetzung „A translation dilemma is among my earliest memories. I was five […]. Revisiting that dilemma now in 2021, it occurs to me that it has as much to do with the act of writing as it does with translation. In other words, as soon as I learned how to write in English […] I …<\/p>\n

\u00dcbersetzung<\/span> Read More \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","footnotes":""},"class_list":["post-1370","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/melodyledwon.com\/en\/wp-json\/wp\/v2\/pages\/1370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/melodyledwon.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/melodyledwon.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/melodyledwon.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/melodyledwon.com\/en\/wp-json\/wp\/v2\/comments?post=1370"}],"version-history":[{"count":10,"href":"https:\/\/melodyledwon.com\/en\/wp-json\/wp\/v2\/pages\/1370\/revisions"}],"predecessor-version":[{"id":2053,"href":"https:\/\/melodyledwon.com\/en\/wp-json\/wp\/v2\/pages\/1370\/revisions\/2053"}],"wp:attachment":[{"href":"https:\/\/melodyledwon.com\/en\/wp-json\/wp\/v2\/media?parent=1370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}